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Indonesia’s Calvin Khurniawan merges cinematography and storytelling

11/29/2017

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PictureCalvin Khurniawan, photo by Joshua Kang

Calvin Khurniawan spent the earlier years of his life fascinated by photography. As a child, growing up in Surabaya, Indonesia, he would spend his time playing with his father’s camera. Even at a young age, he understood the capability photos have to engage with human emotions. Such a realization led Khurniawan to take on the responsibility of communicating with audiences through imagery. He decided from a young age that his future lay in storytelling, and now, as one of Indonesia’s best cinematographers, he is doing just that.
 
At only 23, Khurniawan has made himself a leader in his industry. This year alone, he has made waves with his work on several films and music videos. One of these was for singer Andrew Belle and his hit song “Down”. The video features the popular dancer Dassy Lee from So You Think You Can Dance, and received critical acclaim, as it was featured in Paper Magazine, and was a Nowness Staff Pick and Vimeo Staff Pick. It also has over 117,000 views on YouTube alone, and the cinematography is a large part of what makes it so outstanding. Such a trend occurs with almost everything this award-winning cinematographer embarks on, including the new film Kudeta, a film about a change in modern fashion for female wear. The fashion film, showing female warriors in dresses and presenting them like never before, has been making its way across many prestigious international film festivals, including Hollywood International Moving Pictures Film Festival, Los Angeles Film Awards, and Short to the Point 2017.
 
Last year, another one of Khurniawan’s films went on to critical acclaim. The Alchemist ​tells the story of an avant-garde perfumer and his apprentice who rebel against the expectations of the luxurious, yet lacking in passion and identity, niche market they cater to. Together they hope to change the perceptions of how perfume should smell likey. Khurniawan’s versatility as a filmmaker is evident through the film, which he also directed, and has won awards and made its way once again to several important festivals, with audiences and critics alike appreciating his work.
 
“Film has always been an immersive orchestra of photography, theatre, design and sound. I’m fond of the different mediums and collaborative efforts to tell the bigger picture. However, what I love most about film is its emotional influence. Whether it’s a 30-second commercial, 3-minute music video, or a 3-hour movie, I think film is a powerful communicational bridge that offers multiple perspectives of the world. I truly believe stories, fiction or non-fiction, enrich our understanding of the world and the complex life questions by putting ourselves in other people’s shoes,” said Khurniawan.
 
Khurniawan’s first true taste of international success came in 2014 with his project Antifilm. Not only was he the cinematographer on the film, but he also directed and produced it, being solely responsible for its success. The film consists of 3 episodic series, each examining a person’s deranged fantasy. The title is inspired by Mihovil Pansini’s filmmaking technique of unconventional storytelling. Despite its heavy experimentation, it is still a narrative, but told in puzzles.
 
“The story and the technique are important because I think people view deranged behaviours in a stereotypical way. People who are often called crazy are just people who see things differently than most of us. In this film, we explore the theme of obsession, anger and just a person who can’t differentiate fantasy or reality,” Khurniawan described.
 
The filmmaker initiated this project because he was beginning to see everything in formulaic and predictable way throughout his career. The film consists of what-ifs in the film language that explore this mentality. Everything was shot and edited unconventionally. For a nuanced cinematographer like Khurniawan, it was the most fun he’s ever had working on a film. The nature of the story encouraged him not to be prepared, so everything was by instinct.
 
The only thing that he stayed faithful to was mirroring the actor’s emotional response, something he is well-known for. To do this, it had to be spontaneous to not interrupt the actors for a specific shot. Therefore, everything was done in a one-take style. Khurniawan worked closely with Production Designer Eunice Kim to ensure the mirror room, where pivotal scenes of the film take place, would work for shooting.

“Working with Calvin was anything but boring. He is definitely a character. He approached me with a challenge regarding whether I could design a mirror room for his ambitious short film. It was extremely challenging, but Calvin was nothing but helpful throughout the thought process. As he is a cinematographer, he would naturally advise me on how to place the mirror and how big it should be. What I liked about working with Calvin was that he liked to bring in fresh ideas when designing the shots, making the production design captivating to look at. I have never worked with cinematographers who share the same enthusiasm in production design. After finishing the film, I was captivated by his creative style of shots. Calvin definitely makes a fun collaborative partner,” said Kim.
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Antifilm premiered at the Los Angeles Indonesian Film Festival in 2014, where it was also an Official Selection. Many were impressed with the commitment and talent of the cinematographer, and Khurniawan will never forget the experience.
 
“It was quite nerve-wracking to screen it at a theatre to be honest. I designed the sound to be stressful, I wanted audience to feel immersed by it. I remember when I was in the theatre, I was worried by everyone’s response. But I was glad that it was well received,” he said.
 
The filmmaker has had a career many can only dream of, and he feels as if he is just beginning. Be sure to check out Antifilm and Khurniawan’s other works, as he is a name you will continue to hear. 

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Watch Dewshane Williams make a living out of living his dreams

11/29/2017

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PictureDunston (Lyriq Bent) argues with His brother Alton (Dewshane Williams) over the phone in "Home Again"
A true actor knows not to act in pursuit of success, but rather to do so in pursuit of becoming a better actor. It is about exploring the human connection, and expressing oneself. By learning to empathize with individuals from all different walks of life, actors build skills, knowledge, and ultimately, strength. It is about building character through various characters. For Toronto native Dewshane Williams, a conscious decision to pursue a career as an actor was never made. According to Williams, acting has always been an innate part of him and naturally, he allowed himself to become a part of it. He immersed himself into the entertainment world, motivated to expand his skillset wherever possible and to thrive amongst like-minded individuals. With that, he has built a remarkable career and currently stands at the top of his game. From the outside looking in, acting is Williams’ profession; however, from the inside looking out, it is a chance to live out his dreams whilst still getting to call it a ‘living.’
 
“I don’t think I ever made a conscious decision to become an actor. I didn’t even realize it was a career option at first. There was a period of my childhood where I was quite shy, but I signed up for a school talent show anyway. To cut a long story short, the coordinator really believed in me. She let me write some skits, choreograph some dances, and sketch some comedy. Once I saw the audience enjoying the work I created, I was hooked. One thing led to another, and somehow I am still doing what I love today,” reminisced Williams.
 
In the process of crafting his artistry, Williams has established a strong resume. He has acted in several different genres, including drama, mystery, sci-fi, comedy, and more. He is well-known for his roles played in films such as Dog Pound, Defiance, and Story of Luke. When Williams acts, he focuses his efforts on ensuring that his performances come across as authentic as humanly possible before his audiences. As such, he takes great care and consideration to ensure that he brushes up on his acting abilities at any chance he gets. His drive is unprecedented and he devotes himself to achieving each and every goal that he sets.
 
Despite being born in the Caribbean, Williams spent the majority of his youth living in Canada. As a result, he experienced life as an immigrant from an early age. In 2011, therefore, when Williams was approached about working on the film, Home Again, he found himself compelled by the possibility of shining a spotlight on the lifestyle that accompanies immigration. Directed by well-known Canadian writer and director, Sudz Sutherland, Home Again depicts the trials and tribulations of three individuals who are deported and forced to return to their home country, Jamaica, despite having lived most of their lives in the United States, Canada, and England. The film’s tagline, “sometimes home isn’t where you belong,” resonated well with Williams and he was determined to honor the storyline of his own character, as well as his character’s counterparts.
 
“Every year, tens of thousands of people get deported. I thought it was an important story to explore because it happens so often — albeit, for a variety of different reasons. There are so many people, all over the world, that can relate to feeling out of place. The feeling of loneliness is universally understood and I wanted to do it justice,” told Williams.
 
For the film, Williams’ character, Alton, decides to drop out of school in order to provide for his family. After much time and a number of difficult circumstances, Alton manages to provide for his older brother, a deportee struggling to make ends meet. The excitement of playing Alton was inherent in the fact that he was naturally comical; however, he also possessed a certain maturity about him. Williams enjoyed the depth that these traits required him to master and he embraced every challenge that came with them. As he does with every role he plays, Williams conducted an ample amount of research about the life circumstances of each of the film’s characters and did his best to accurately capture the emotions that these characters would experience. He was fortunate for the clarity and concision that the script was written with and considers Home Again to have been an integral addition to his acting journey.
 
Having written and directed Home Again, Sutherland could not have been more satisfied with the caliber of acting that Williams brought to the table for the film. Sutherland has enjoyed watching him grow into the actor that he has become today and has a large amount of respect for his ability to go above and beyond the call of duty for each role he endeavors to play. In fact, Sutherland believes that this is what sets Williams apart from his peers in the entertainment industry.
 
“What makes Dewshane so great at what he does is the fact that he is always prepared, open to suggestions, and willing to learn. These characteristics are particularly advantageous for a young actor. I found that his experience was on full display when we worked together and he carried his workload rather effortlessly,” noted Sutherland.
 
Upon its release, Home Again received a substantial amount of praise at a number of North American film festivals. For instance, it received nominations for Outstanding Foreign Film at the Black Reel Awards, Best Canadian Film at the Whistler Film Festival, and many more. In fact, Home Again even won the Audience Award for Favorite Feature Film at the Lost Angeles Pan African Film Festival in 2013. It is no secret that the film would not have earned such great success without contributions from profoundly talented actors like Williams.
 
For other aspiring actors looking to build a resume like the one Williams has developed, he has one simple piece of advice: “If you stay grounded, have gratitude, work hard, and remain kind to others, you stand a chance .”

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Victor Gilbert reminds the public that recycling doesn’t have to be a frustrating task

11/23/2017

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Victor Gilbert is only 10 years old and he has already managed to find the one thing in this world that he cannot picture himself living without: acting. Gilbert is energized by the idea that the stories he tells and the characters he portrays can help make a difference in the lives of his audience members. He loves transforming himself to meet the demands of a script and he is drawn to the idea that he can continue to act for the remainder of his working years. Acting is his outlet to create, his platform to learn, and his pathway to explore his craft.
 
“If I had to describe my style of acting, I’d say that I am quite serious and focused. I am really good at acting in more dramatic roles. For example, when I acted in The Kiss, I had to be really sad at one point but I pulled it off very easily. I am very happy in real life but for some reason, I do really well when I play serious roles in dramatic scenes with lots of emotions. Even though I am good at that, I like to do it all. From drama, to comedy, maybe even horror,” said Gilbert.
 
Despite excelling in dramatic roles, Gilbert is proving to be a well-rounded actor as he continues to acquire experience in his art form. In the drama genre, he has acted in various serious roles such as his roles in The Walking Man, and Hell on Wheels. For both characters, Gilbert had to remain focused and serious when he was on screen in order to sell the mood of each plot line. In addition, as he mentioned, for his role in The Kiss, Gilbert had to explore a number of different variations of sorrow. He has an aptitude for gauging the emotion of a scene and acting accordingly, which is something that most child actors take years to learn. Beyond his affinity for drama, Gilbert has tested his hand at some light-hearted, fun loving roles. In fact, when he was hired to act in several of JJ DD public servant announcements, Gilbert showcased just how versatile an actor he is.
 
JJ DD are public service announcements about fun ways to recycle. Each 30-second episode, produced and directed by Matt Watterworth, displays a crafty way to reuse or transform objects instead of throwing them away. Gilbert earned the lead role on four of Watterworth’s five public service announcements and was asked to play a different character for each. Each role required him to interact with the show’s token two goofy superheroes who love to promote different ways to recycle. Gilbert was ecstatic about the idea of getting to play multiple different characters for one job, and as well about the idea of creating something fun and entertaining to help address an issue as important as the environment. Knowing he could have fun while promoting the health of the planet was enticing for Gilbert and he was thrilled about the project.
 
Because Gilbert is used to acting in more serious roles, he loved the opportunity that the JJ DD public service announcements presented to have fun both on set and on screen. He thought that the announcements’ two main superheroes were hilarious and loved goofing around with them for each scene. He also got to dress up as each different character, which included a bear. Gilbert had never had to act as an animal for any of his other roles, and he thought it was a very unique challenge. When asked how he felt about constantly having to switch characters, Gilbert had this to say:
 
“It was so much fun. You have to be very focused, but you never get bored. Plus, I always had different costumes. I thought the bear costume was the coolest. They even painted my face. The other roles I played were human but still involved different clothing, fake parents, and funny situations. I loved it,” told Gilbert.
 
The JJ DD public service announcements aired on Shaw TV and still fill in between commercials on Shaw TV today. For a young actor, such exposure is almost unheard of and Gilbert is fortunate to know that his public service announcements are still making their mark on the world. As a producer, Watterworth couldn’t really ask for much more. He enjoyed working with Gilbert and was impressed by his ability to excel in each role he was tasked with.
 
“It takes a lot for a kid to change character so often. It requires a lot of focus, but he wasn’t fazed. In one of the scenes, Victor had to completely dip his hands into tomato sauce and pretend to attack his mother with it. Not all kids would have been okay with that. The entire scene could have been a flop if the kid had refused to act out the scene, but Victor did it like a champion. He was a trooper, even at such a young age. He is a great listener on set and very open minded,” noted Watterworth.
 
Today, Gilbert’s future as an actor looks extremely promising. His love for film and acting is only growing and he has several auditions in the works. Regardless of what he acts in or where he ends up, Gilbert is optimistic about the idea that his career will be full of new experiences and learning opportunities along the way. Keep your eyes peeled for Victor Gilbert as he makes his way to the top of the entertainment industry, one role at a time.
 
Check out his work in some JJ DD PSAs here.



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Zheng Jia speaks to the power of communication within filmmaking

11/19/2017

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PictureZheng Jia
As a sound editor, Zheng Jia knows well that one of the most challenging aspects of her profession is unveiling each and every detail of sound that needs to be used to create a cinematic scene. Regardless of how large or small a scene may be, it is composed of several different layers, each with a separate purpose and composition. In order to succeed as a sound editor, Jia understands that she needs to have profound creative instincts, but also a background of training and experience that would allow her to learn why certain sounds will or will not work in a film. It requires a unique combination of raw talent and refined technique, both of which Jia possesses. Through careful trial and error, Jia has perfected her craft and is at the top of her field amidst some of the industry’s best sound editors. Fortunately, Jia has mastered a third element of her field that allows her to exceed the limits of her competitors: she is an effective communicator and she has an unprecedented ability to grasp the vision of the directors, producers, and actors that she works with in such a way that allows her to transform their ideas into tangible content.
 
When Jia embarked on her pursuit of becoming a sound editor, she was unaware of how much she would fall in love with her art form. It brings her to life in ways that other areas of filmmaking never did. She is energized by any opportunity that she gets to practice her skill set and she finds herself fulfilled by the knowledge that her contributions to any segment of film can either make it or break it. With that, she has earned herself a reputation as a high-performing sound editor and she has built a strong resume of experience accordingly. For instance, Jia has worked with cinematographic powerhouses like Universal Pictures, whereby she operated as a main sound effect editor in the NBC Universal TV sound editorial department. Given the fact that this is one of the biggest, most prominent sound editorial in the television industry, it is simple to conclude that Jia would not have earned this position without proving to be one of the industry’s leading sound editors. In this role, she is currently working on Law and Order: Special Victims Unit and oversees an array of sound effects to help compliment the show’s storyline. Other notable projects in her career include sound editing for Monkeyland Audio, as well as for the Chinese blockbuster, Crazy New Year’s Eve. She has few limits to what she can achieve when she sets her sights on an opportunity and she is sweeping her field on a daily basis.
 
When she isn’t working for major film production companies, Jia also completes freelance sound editing jobs. In fact, in 2012, Jia fell in love with director Meera Menon’s script for a film called Farah Goes Bang. Farah Goes Bang is a movie revolving around a road trip during the 2004 US election. It required a series of field recordings, as well as production to capture the realities inherent within cross-country driving. Jia worked on the film from pre- to post-production, keeping in close contact with both Menon and the film’s producer, Laura Goode, to ensure that everyone’s vision was honored and that the film was as intriguing as its script.
 
After working with Jia, Goode was in awe. When asked to describe Jia, Goode noted the following: “Zheng is smart, professional, courteous and reliable. She produced quality work whilst remaining a positive presence on set. You’d be hard pressed to find a more talented sound editor.”
 
Zheng is no stranger to receiving praise from her co-workers, as well as her audiences; however, she remains humble in the face of recognition. She works as a sound editor because it is what motivates her as an individual. It interests her, it tests her, and it drives her. She couldn’t imagine her life without it and even if she didn’t receive the widespread adoration that she receives for her work, she would continue to work as tirelessly as she does. She strives for perfection at all times and her dedication is inherent within each final product that she offers to the world. When asked what she loved most about working on Farah Goes Bang specifically, Jia found herself reflecting on the joy of collaborating with and learning from other talented filmmakers.
 
“Everyone I worked with was very open about communication and they were eager to gain all kinds of creative input. It was a blast working with everyone and receiving their feedback. It allowed me to experiment with new, undiscovered ideas and the final product was a reflection of all of our teamwork. You cannot successfully create a film without collaboration and communication and it enhanced the overall experience for me,” recalled Jia.
 
Upon completing post-production, Farah Goes Bang premiered and won an award at the Tribeca Film Festival in New York City in 2013. It then went on to win several other awards at a series of different international film festivals. Jia considers the film’s success in part a reflection of her hard work and personal commitment to the film’s quality. Her experience working on the film was nothing but positive and she is fortunate to have had the opportunity to test her skills against its script. Other sound editors in the industry could take a leaf out of Jia’s book when determining how to remain grounded in the midst of such intricate projects.
 
When asked what advice she would offer other inspired sound editors at the outset of their career, Jia had this to say: “watch as many good films or shows as possible and learn from them. Understand what makes the sound of these shows stand out and the approach the editors took to get there. If you think there is something you could do different, experiment with it. Try your hand at as many different genres as possible, for as many different styles as you can and you will find your strengths and weaknesses. From there, just do your best to improve yourself wherever possible and you will do great things.”



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TWISTING WEREWOLF LORE FOR MODERN TIMES

11/14/2017

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​  The Horror film genre is perhaps the most popular, not only in the US but worldwide. At its worst it can be redundant while at its best it’s invigorating. The massive public appreciation of the genre has led droves of actors, writers, and other film professionals into this lucrative and inventive area of cinema. Yes, there are tropes but the way that the creative individuals who make these films are able to come up with new twists on classic ideas; it keeps the public coming back in the same way that you might have a favorite type of restaurant but like to visit new ones to see what everyone is talking about. The continued success of these stories is based on the creator’s ability to add something new while retaining enough of the DNA to keep committed fans attracted.  Canadian actor James Preston Rogers has cultivated a very eclectic and impressive list of credits including drama (Frontier), comedy (Benjamin), and action (Face Off) to list just a few but never Horror…until he was approached by filmmaker Kevin Van Hook. Rogers explains, “I like to keep an even balance of types of films that I do. This helps avoid being typecast. It’s been said that it's better to be typecast than not cast at all. This is true. Fortunately, I have worked hard and developed a skill set that allows me to work in most genres of film, and I enjoy all of them. I'm working to be seen and as an ‘actor’ across the board, capable of doing any type of work. This also keeps me excited and hungry for the next project, and prohibits getting stale, stuck, and eventually losing the love for this industry in which is so dear to me.” When Van Hook proposed a very unusual role for James in his film Alpha Wolf, it intrigued the actor by offering him yet another color to add to his career. Appearing as Sheriff James Carradine in the film was not the entirety of Rogers involvement in this role.
  Alpha Wolf’s creator loved the classic werewolf story but felt that he had a unique idea to inject. The film depicts a couple who had moved into a secluded cabin in an attempt to salvage their relationship. They find their world torn apart when the husband transforms into a murderous werewolf. Things grow even more bizarre when the family dog leaps in to save the wife and…sorry, you’ll have to watch the film for the completely jaw dropping twist that occurs and transforms Alpha Wolf into the most unusual werewolf film yet. There are many layers to the story and the location itself is one. There’s something different about this town and its residents, the local sheriff’s department included. Rogers is perfectly cast as James Carradine, the Sheriff of this small town. He is a large man with long hair, who carries himself with an almost all-knowing confidence. Ambiguity surrounds the character while James portrays him with an implied omniscience. Kevin VanHook (comic book creator and a filmmaker) professes,
“James was always on my wish list for the role of the sheriff. He brought a lot of star power to the film. He’s known for his action, drama, and comedy work. He is an actor of immense size and talent. The role of Sheriff Carradine required many qualities that are rare in an actor. Perhaps most importantly, James had to hint at who he might be without giving too much away. He had to make a serious impact on the audience without convincing them exactly who or what he is, which is exactly what we needed to spark interest in the sequel. It’s a very fine line to walk and quite difficult to do…and James did it perfectly. When you see the film you think that there’s no one else who could have played this role.”  
  Sheriff Carradine is a vital character to the film but does not appear in the majority of the film. It’s an odd situation that an actor is brought aboard a production not solely for his contributions to it but to foreshadow his role in the sequel. While Vanhook new the role and his choice in the actor to play him was impressive, he had the intention of building the sequel around him rather than this initial production. A large portion of current horror productions operate under this method. James reveals, “The writing in the script was beautiful and the idea is so original; we all knew that the film was special. My role was key for the sequel so when I got on camera I needed to project for the sequel and yet not take away from the current film.  It was a new situation for me to be. Sheriff Carradine was in the movie at crucial points and I needed to make sure his presence was felt but I couldn’t give too much of it away.”
  A co-star with James in Alpha Wolf is Robert Mukes, known for his work in HBO’s “Westworld” and horror classic House of 1,000 Corpses. At 6’ 10” himself and with more than a decade and a half in the film industry, Mukes knows a lot about the demands of being an actor in physical roles. Mukes declares his admiration for Rogers after his experience working with him on Alpha Wolf stating, “I’m a big guy who been acting in films for quite some time now. James definitely has the acting skills to star alongside all of the great actors he has been working with, there’s ample proof in all of his varied performances that he has earned his place alongside so many notable actors. What truly impressed me was his timing, pace, and attention to detail. He can definitely hang right there with the very best whether it a combat scene of a comedic one. When it comes to action sequences, he is a true master. It was an absolute pleasure to work with an actor like James who seems to have it all.”
  James Preston Rogers has cultivated diversity for himself as an actor. By taking the unexpected and the obvious roles for a man of his physical stature, he has continued to challenge both his own skills and the preconceptions that both those in the TV/Film industry and the audience might have of him. Accepting this role in Alpha Wolf, one which is focused more on what will happen in the sequel rather than a character arc which occurs in the current film…it’s just more proof that this is an actor who likes to take a risk. He is investing in a long career, one which based on the amount of praise he has received and the established and recognizable (as well as those not as well-known) co-stars that he works alongside…is already well under way.
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HEARING AN ENCHANTED CHRISTMAS WITH YUXIN BOON

11/12/2017

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​  When it comes to the holidays, there are sensory triggers that immediately transport us back to that special time; it might be the smell of treats, seeing snow, or the sounds of bells. Sound editor and Foley editor YuXin Boon consumes herself with the auditory scenery and triggers that help place the viewing audience in the emotional blanket of both Christmas and romance on her work in “Enchanted Christmas.” Boon’s role is to be the guide for our ears in the story of Laura Trudeau (played by Alexa PenaVega) who returns to her home of Utah to oversee the renovation of a hotel which is being restored for a Christmas Eve benefit dance competition. Laura left years earlier following personal tragedy and upon her return comes face to face with Ricardo Archuleta (played by Carlos PenaVega), the boy who jilted her for a professional dance career, the star of the dance benefit, and her old love. Trudeau is pulled between old love, new love, and her personal/professional life. Amongst the emotional whirlwind, the hotel construction, and the dance competition, there was a deluge of sonic atmosphere for YuXin to present, organize, and clarify. It’s not until you are made aware of the impact of the sound scape in a film that you fully appreciate how vital it is to create the emotional experience the filmmakers seek to manifest.
  Working under the direction of Supervising Sound Editor Erick Jolley for this Hallmark Channel presentation, Boon was in charge of more than simply creating the sound of winter. Yes, it takes place in Utah so there is that component but just as importantly, she was in charge of what can only be referred to as “ear candy.” Her work created an ambience that is subtle but distinguished with creative details. YuXin explains, “My favorite part of working on ‘Enchanted Christmas’ was exploring creative details to provide a three-dimensional background for the audience. I essentially filled the background with sound from multiple directions of things that were not visible in the shot. It’s a very creative role. For example, for scenes in which the family is decorating the Christmas tree in the living room, I put sounds of distant traffic from the right window, campfire from the fireplace at the left, and a clock ticking at the back. None of these were shown in the scene. By overviewing the outside shot from the house and the kitchen shot in the same house, I found that there was a fireplace between the living room and kitchen. Headlights were visible in the window from a passing car. Based on the props I found in different scenes of the same house, I recreated the background of the scene with visible and invisible details. With creative editing, I built a believable living room scene for the audience. Most of us take these background and peripheral stimuli for granted but it’s my job to make sure they are there so you can take them for granted.”
  Of course there’s the sound of Winter. The story takes place in Utah during winter so there would be no believability if the sounds of the season in this climate weren’t present. Based on scenes and camera angles, Boon created the cold winter background from different perspectives whether from a distant view or close shot. Jolley asked her to do some sound design for the surround sound and add the ambience that would work for the scenes. To impart the blustery winter wonderland, YuXin focused on sound libraries. Achieving the proper sound often required combining several specific wind and air ambience recordings. Boon found herself making presets for certain scenes of the same locations (in the film) and then adding creative components such as a dog barking, birds chirping, etc. based on the movements and time presented in the scenes. Her work subconsciously communicates a subtext to the viewer. Boon describes, “When the shot of main character’s house changed from outside to inside, I used the same traffic and wind sounds to state that two scenes were shot in the same neighborhood. But I processed the traffic and wind with equalizer to cut the high frequencies in order to make them sound as if they were coming from the other side of the wall. I utilized the same method on the scene of dance performance when the characters walked from the main stage to the back stage. I used an equalizer to reduce the high frequencies and panned the ambience to the right (because the main stage was behind a curtain and at the right side of backstage). I created the sound of the scene that characters talked in the backstage while the performance was still going on at the main stage.”
  The alertness and attention to detail in the actions of a scene is a requirement in her profession and Boon performs it with an astounding level of detail. Her approach in sound editing is to see three perspectives of the same scene: the action you focus on, the background action, and the action taking place off screen. To illustrate, for the construction scenes at the hotel in “Enchanted Christmas” she overviewed the workers movements and assigned particular construction sounds to each of them like sawing, drilling, and hammering. For the scenes which depicted the workers walking around with their tools but not actually working, she still layered electric sawing and drilling ambience (with an EQ), but at a lower volume, to sound as if they were coming from off in the distance. For one exterior construction scene, minor details like a truck engine sound at the rear speakers encourages the audience believe that there are workers unloading the truck behind them, tough they are never seen.
  In the magical realm of TV and Film, everything is important in transferring believability. The work of YuXin on this production and every production in which she is involved may not be the most obvious or attention getting but that is the most vital part of it. For a naturally detail oriented individual like YuXin the fun of her work is noticing that which might easily be overlooked. She basks in finding the right air and room tone ambience for similar scenes and giving different textures to these scenes. The lodge in which much of the story takes place has several halls and rooms that required distinguishing to show the difference in room size, spaciousness, and location. The main lobby is larger in size with a tall ceiling, marble floor and less furniture. Using a sound library, YuXin matched the room tone with a big hall for more reverberation and echo. For a conference room, she chose the ambience of a middle size room to contrast the dryer and more solid hall because that room had carpet and more furniture. This time-consuming process requires constant comparison to discover the exact template to be used.
  “Enchanted Christmas” is just as much about the love of dancing as about love itself. The two lead actors are professional dancers (as are many of the other performers in the film) and the requirements on the Foley artists and Boon were quite substantial because of this. Recorded over ten days at DPS studio, Foley artist Steve Walter copied the twist, drag, and thread moves exhibited onscreen by the actors. Boon spent a week editing all the Foley like cloth, props, and footsteps. While the dancing is integral to the story of “Enchanted Christmas” it’s just one part of the many auditory aspects that editor YuXin Boon contends with in order to give every viewer the complete experience of being in the world of Laura Trudeau.
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Take a look through Talha Bin Abdulrahman’s lens for his direction of 'Viral Night'

11/10/2017

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PictureDirector Talha Bin Abdulrahman
Some would argue that the most crucial role involved in the creation of a film is the director. There are several aspects involved in being a director without which, a film would never come to life. This individual is responsible for more than simply controlling the artistic and dramatic elements of a film. They are also in charge of overseeing each member of their technical crews and cast members, ensuring that everyone involved in the film’s production is on the same page, with one, unified vision in mind. They must be strong communicators, tough negotiators and effective influencers in order to execute the film’s creative visions whilst fitting within the production’s budget. In order for films to succeed, they need versatile, resilient directors with a wide range of experience in the entertainment industry. They need individuals with a refined set of skills and the ability to flawlessly execute a creative vision. They need film directors like Talha Bin Abdulrahman.
 
As a child, Bin Abdulrahman recalls his father renting movies for his family to watch, and the more films he encountered, the greater his interest in the process of filmmaking grew. After he managed to get his hands on his family’s handy-cam, he began experimenting and creating short films with his brothers. He would direct them on the spot, jumping between cars or fighting with swords, and he would later watch the footage to identify areas of improvement. In the process, he developed a number of fond childhood memories that later inspired him to follow his passion and venture along a path toward becoming a professional film director. This journey has earned him a number of notable projects to add to his resume, allowing him to explore the art of directing for a number of different genres, cast sizes, concepts, and more. For instance, he has worked with talented musicians as a director for music videos like Jellyfish: Requiem for Marion, as well as for musical comedies like Film School Musical. He is also familiar with directing dramas such as The Scapegoat.
 
Danielle Denig, who worked on Jellyfish and The Scapegoat with Bin Abdulrahman, was astounded by the quality of work he brings to any production he works on, regardless of how large or small.
 
“I think Talha does a great job of giving creative freedoms to his production team and actors when directing, but he also balances that with outlining a clear, distinct goal that he is trying to achieve. For both of the projects that I worked with him on, he knew what overall feel each should have and was very clear with everyone when something wasn’t working well. I have worked with many other directors in the past, many of which wavered a lot during production and created a struggle for everyone involved. Fortunately, I have never experienced that working on any of Tahla’s shoots,” told Denig, Production Designer.
 
In 2016, he was approached about the unique opportunity to work on a proof of concept for a feature film project called Viral Night. His success on the project is undoubtably the reason that the film was given the green light to shoot in the Spring of 2018.
 
Viral Night depicts the haunting reality of a group of millennials that get trapped inside a Halloween rave when a mysterious infection begins to spread amongst them, turning them into blood hungry zombies. As this horrific tale unfolds, the events are being live streamed to millions of viewers around the world who begin to question whether or not they’re witnessing real events or an elaborate stunt to gain viewership. When this survival thriller’s producer, Carolina Sandoval, was looking for an esteemed director to carry her film concept toward success, she was drawn to Bin Abdulrahman’s remarkable reputation and approached him about the possibility of having him direct the film’s proof of concept. Bin Abdulrahman was instantly captivated by the intriguing plot line and upon reading the script, he began envisioning how he adapt his unique style of directing to the film’s storyline. Once his plan started to come together, Sandoval was confident that he was the right man for the job and together, they brought the story to life in the best way possible.
 
When determining how best to tell this story, Sandoval and Bin Abdulrahman agreed that shooting each scene using found footage would instill an appropriate sense of fear and realism into their audience. Found footage is a style of filming whereby the film’s footage appears as though it was discovered film or video recordings. Typically, the film’s events are seen through the camera of one or more characters. It involves a lot of shaky camera work and naturalistic acting in order to appear as if the footage is “raw.” Given the nature of the film’s plot line, found footage would heighten the underlying, psychologically thrilling question posed throughout the film – is this really happening, or is it a ploy created by the media? Bin Abdulrahman felt refreshed exploring this unfamiliar filming style and embraced the new set of challenges that it set out for him. In addition to trying his hand at a new genre of film, Bin Abdulrahman was compelled to work on this project because of the important message that the film is attempting to tell.
 
“It is a social commentary on the way that social media can affect someone’s behavior. When you put human beings in a situation like a zombie apocalypse, and then you place them under a magnifying glass before the world, a lot of moral debates unfold. It becomes even more interesting, then, to watch as your characters are faced with a life or death experience, not even realizing that they’re being watched by millions,” said Bin Abdulrahman.
 
Bin Abdulrahman began his work on Viral Night in 2016, working within an extremely tight timeline. Having only one month to shoot the footage, followed by two weeks of post production, he had to be at the top of his game for the entire duration of each stage. He is eager to film the full-length feature in the Spring of 2018, as are his co-workers. Having seen what he is capable of achieving in such a short, tight timeline, they are itching to experience his talents for a full length feature in a more suitable timeline.
 
As far as advice goes, Bin Abdulrahman has a lot to offer other aspiring directors. When asked about the secret to his success, Bin Abdulrahman advises others to continue to hunt for any opportunities that they can find in directing. He understands well that film festivals are an excellent way to meet other creative minds who share in your passion for film. Whenever he happens to meet someone who likes his film, he introduces himself and he networks.
 
“Making connections is vital in this industry. You always have to prove yourself by making a good impression, otherwise no one will notice you. Another piece of advice would be to surround yourself with positive people. Negativity is draining. Toxic people never help you accomplish anything and if you remove yourself from hostile environments and bad habits, your creativity will flow endlessly and wonderful things will start to happen,” he concluded.

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Producer Sherry Yang shares important story in comedic way with ‘Jiaozi’

11/9/2017

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PictureSherry Yang, photo by Steven Lam
As a child, growing up in Taiyuan, China, Sherry Yang’s favorite past time was watching movies with her family. At first, it was a fun way to spend time with those she loved, but it quickly became more for Yang. Even at a young age, she began to understand how powerful of a medium film is. She recognized that it is an art form with many purposes: it brings people together, it teaches, it makes us question, it liberates us, it brings out our emotion, and so much more. Yang knew she needed to be a part of that movement. Now, she is an internationally sought-after producer, and her love of movies is still the same as it was when she was just a kid.
                          
Throughout her esteemed career, Yang has worked on many projects she is incredibly passionate about, and audiences feel that passion when they watch her films. What is perhaps her most decorated film, The Letter, went on to win several awards at some of the world’s most prestigious film festivals. This is a trend is seen in most of Yang’s work, such as with the films Under the Pieces and Te Echo de Menos. Yang’s determination to make every film she works on the best it can be is a sure-fire path to success.
 
Her work on the film Jiaozi is no different. The film is a comedy about a Chinese-American boy who was embarrassed about his own cultural background, but soon accepts it and is proud of it. The story, for Yang, touched her on a personal level.
 
“I may not have been raised in a multicultural household, but I do have experience living and adapting in two different cultures. As I read the story, a lot of things did ring true to me as well. I felt that it was necessary to show audiences who aren’t from a multicultural household the impact one has from being raised in different cultures, how one could struggle with their identity. Being able to tell this story from a child’s perspective was a very interesting idea because it lightened up the heavy topic. I also enjoyed how the director brought in the Chinese cultural elements elegantly and showed the love the mother has for her child. It depicts the love of a parent and how much they would do in order to make their child happy,” said Yang.
 
The film went on to tremendous success, making its way to several festivals. It was nominated for Best Short Film at the NewFilmmakers Los Angeles 2017 and won the Audience Choice for comedy at the Top Shorts Film Festival 2017. None of this could have been possible without Yang’s work as producer, and yet, she remains humble.
 
“I am very happy that the film did so well on its festival run. It makes me happy knowing that the story could be told to many people. I hope that more people will be able to view this film and understand the struggle of finding one’s identity,” she said.
 
When Director Lin Zhao was looking for the best producer possible to turn his idea into reality, he approached Yang. He had seen her work and heard of her driven reputation, and he was enormously impressed. He came to Yang with his story, and the producer’s interest was caught. She wanted to tell a story that isn’t often seen on the big screen. As a producer and moviegoer, she knows there are films based on culture and race, but not necessarily the internal drama that goes through those who have grown in a multi-cultural household. Making Jiaozi gave Yang that chance to not only do something that is not regularly done, but also to make a difference with her work and educate her audiences.
 
Once work on the film began, Yang helped build the team, find the talent, acquire the necessary legal documents, and of course, run the daily production. As Jiaozi is told through the eyes of a child, Yang also had to manage many child actors. She hired a classroom full of children, which required extensive research to do things correctly. She had to organize everything from schedules to wardrobe for the children, whilst complying with all the paperwork and legal aspects of hiring child actors, all while making sure the parents were pleased. This was no easy task, but Yang’s fortitude pulled through, and everything went off without a hitch. During one day of production, which happened to fall on Mother’s Day, Yang provided roses for the child actors to give to their mothers when daily production wrapped. It was one of the most enjoyable days on set for the producer, as the happiness of the mothers and the children was contagious. Those she worked on the film were blown away with her thoughtfulness and what she accomplished.
 
 “Sherry is phenomenal at organizing schedules and making sure things are moving forward as they should. She’s very diligent and a hard worker. If she is given a task, she does whatever she can to see that it gets done. She is an excellent communicator, keeping everyone on the same page within a shoot. Sherry will always be the first person I go to when I need a producer for any project I’m in charge of. She’s a good person. She’s a good friend. Anyone would be lucky to have her in their life. I know I consider myself lucky,” said Kraig Dane, who worked alongside Yang on Jiaozi, as well as many other projects.
 
Making Jiozi was immensely satisfying for the producer. Not only was it enjoyable to work on the day-to-day operations, but it resonated with audiences, something that Yang strives for with every film she works on. More importantly, however, it resonated with her.
 
“It is such a unique, cute story of a Chinese-American child finding his identity whilst his mother lovingly helps him by showing her son all the wonderful aspects of his Chinese culture. It allows the boy to learn, appreciate, and be proud of his Chinese culture, which he was embarrassed of earlier in the film. It’s such an amazing story that teaches children to be proud of their background and to be accepting of every culture,” she concluded.



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From Swiss Banker to Lead Actor, Swell Soubra Finds His Proper Place On Screen

11/6/2017

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Picture
Actor Swell Soubra shot by Joshua Shelton
On our journey towards discovering a career that utilizes all of our unique skills as individuals and gives us a sense of fulfillment, the one we could argue that we were personally ‘destined’ for, there are often many other jobs along the way that, at the time, may seem unfulfilling and distant from our ideal. However in many cases, when we look back at the big picture, it becomes clear that some of those ‘odd’ jobs provided us with the tools necessary for us to actually be successful in the career we had been dreaming of all along.

Take famous author Stephen King for example, who, while working his way to becoming a professional writer, was actually a high school janitor-- and it was there that he got the inspiration to write the opening scene for “Carrie,” and we all know how well that turned out! Or well-known billionaire Warren Buffet, who went door to door selling Coca Cola and chewing gum to his neighbors during childhood, before becoming one of the most savvy business investors on the planet.

Another business savvy individual whose previous profession laid the groundwork for success in his future career is actor Swell Soubra. Prior to finding his rightful place in the entertainment industry, Swell had a career as a Swiss private banker where he managed other people's money in Geneva, Switzerland where he is from originally. It wasn’t until Swell was asked to be in a commercial for Pepsi Switzerland that he realized that acting was an actual job, and one that he happened to be quite good at.

Since first beginning his acting career back in 2011, Swell Soubra has been tapped to star in a variety of films such as the award-winning crime drama “Three Kings Down,” “The Incision,” the award-winning emotional drama “Alone,” “I Am Tommy Talbot” with Delpaneaux Wills from the Primetime Emmy nominated series “NCIS: Los Angeles,” multi-award winning director Stan Harrington’s “Lost Angels” and more.

“Discovering the reality of a character’s life, putting myself in someone’s shoes and into specific circumstances, it’s quite an adventure and very refreshing. Quite frankly it breaks your own routine, you get a little taste of someone else’s life,” explained Swell about what drove him to begin acting.

Earlier this year Swell played a critical role as an affluent businessman on the season premiere of TNT’s Golden Reel and Saturn Award nominated series “The Last Ship” where acted alongside other well-known actors such as Bridget Regan from the Golden Globe Award winning series “Jane the Virgin.”

“I am a huge fan of this show so it was a privilege to become part of it. Also, my role as a businessman was quite interesting to me considering I’m an an ex-banker,” Swell said.

His previous career as a banker meant that he was able to easily tap into his character on “The Last Ship.” In 2014, Swell starred in the dramatic crime film “Three Kings Down,” which tells the story of Charlotte, an abused woman and femme-fatale type character, who tries to reclaim her freedom only to discover that she’s double crossed the wrong man, and may in fact, never be free again.

“Three Kings Down” director Frank Lopez explains, “Having Swell’s vision in terms of character work was a real added value. He made it much easier for me to create an powerful film which even allowed us to have a win in the Best Actors Film Festival.  If you want a film to be a success and remembered, you should definitely cast Swell !”

Swell took on the lead role of Earl in the film where he starred alongside Marcos Gracia (“Unknown,” “Black Jacks”), who was nominated for a Best Actor Award at the Golden Indie Movie Awards for his performance, ReShaun Groomes from the Golden Globe Award winning series “Sons of Anarchy” and Daniel Junko (“Rough Mix”) who played the lead role of Charlotte. Swell gave a riveting performance  in the film as Earl, the abusive husband who traps Charlotte in the relationship and steals her freedom.

One of his most recent films, “Alone,” which he starred in, screened at the prestigious Cannes Film Festival earlier and earned an award at the Madrid International Film Festival. An edgy dramatic film about a couple trying to deal with clinical depression, the story “Alone” brings to the screen holds a special place in Swell’s heart.

Swell explained, “I cared a lot about that project. When you heart is involved in a project it becomes very personal.”

As someone who’s made a powerful mark in the film world through his work, as a lead actor, it’s clear that Swell Soubra’s earlier career as a Swiss Private Banker was never a detour from where he was meant to be-- instead it was a stepping stone that has made him exponentially better at what he does, and one that has helped set him apart from others in the industry.

About what’s next for him Swell explained, “I am currently working on a film which requires a huge investment and that will take place on three different continents, fives different countries. France, Switzerland, USA, China and Spain. It’s going to be an action film. The story will be about a corrupted politician who is money laundering his underground business away from his family.”
​

The film he is talking about is “Killer Issues,” a dramatic thriller that will be directed by California Women’s Film Festival Award winner Jonathan Cocco (“F.U. Woody Allen,” “Twice Blessed”).





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Motion Graphics Designer Ana Lossada inspires with ‘The Lion Guard’ on Disney

11/1/2017

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PictureAna Lossada
As technology continues to develop at an exponential rate with every passing day, the world is constantly adapting to utilize it. Many classic fields have gone through drastic changes in the last 100 years. Medicine, journalism, transportation, etc. have all gone through transformations to keep up with technological advances. The arts are no different. In the last decade, artists have been giving a plethora of new artistic methods, and strictly painting, sculpting, and drawing are now just a miniscule fraction of what an artist can specialize in. Computers have revolutionized the potential for those looking to pursue a career in the arts, creating all new job titles that have now become standard in our day-to-day lives. One of these mediums is motion graphics design, a field that applies graphic design to filmmaking and video production through the use of animation, illustration, and visual effects. The commercials you see every day on television, the openings of your favorite shows, iconic scenes in movies, these all require highly-skilled motion graphics designers to seamlessly integrate their work into a production. Venezuela’s Ana Lossada is one of those talented people. As one of her country’s best motion graphics designers, she has captivated audiences around the world with her work.
 
While working with shows like The Walking Dead and Netflix’s Atypical, Lossada’s distinct style has become her trademark. Companies seek her out, looking to have her put her touch on their productions, knowing she will help make them a success. An example of this is with Disney. Lossada has worked on many projects with one of the most identifiable brands in the world, and she constantly impresses. Recently, Lossada worked on the opening of their new series Raven’s Home. The opening, which was been released as a teaser for the series, generated a lot of buzz and anticipation for the show, all thanks to Lossada.
 
Lossada’s first big success with Disney was on their healthy living spot Be Inspired with The Lion Guard. The series of videos are meant to educate children on living healthy and active lifestyles. They feature characters from Disney’s classic The Lion King and children doing fun exercises on screen that can be followed by viewers at home.
 
“I was really interested in working on this project because it encourages kids to do a fitness activity. I fall under the category of a millennial, I did spend most of my time outside, playing with my cousins or neighbors when I was young. Nowadays, I feel like we don’t see it that often. Most of the times we see three to seven-year-old kids playing with their iPads and technological gadgets. This new programming encourages kids around the world to live a healthy lifestyle,” said Lossada.
 
When Disney Jr was looking for a way to motivate children, several top motion graphics companies pitched their ideas. It was Lossada’s that won out. While working at Big Machine, she was asked to help on the pitch by coming up with a couple of designs that were playful, colorful and look like they were made from paper. Using her signature style of mixed textures, and a combination of The Lion King’s world, she was able to achieve the look that Disney Jr. was looking for.
 
After agreeing to terms for the project, Lossada had a conference call in which Disney Jr. voiced several different concerns, including how they would treat the animated characters as well as how they would be implemented in the live action world. Disney wanted the animated characters to be abstract, and Lossada came up with the idea of animating the silhouettes of characters, which is not easy. Lossada took the challenge with ease.  The characters are seen doing a variety of physical activities such as jumping jacks, planks and running. Ensuring that they were no glitches and the silhouettes remained intact while going through physical activity proved to be a challenge, however Lossada and her team were able to collaborate and get the job done. She created the live action set that was used for the show.
 
In addition to her design duties, it was Lossada’s responsibility to ensure that everyone in the group had the current and relevant notes on the project. As the lead designer, she succeeded in maintaining a constant flow of information that allowed everyone involved to be up-to-date regarding exactly what the next steps would be. She also worked to create a music video that had the animated characters singing and dancing along with the child actors in a live action environment. 
 
“In a word, working with Ana was awesome. She inspires confidence with her immense talent, and her positive attitude make dealing with the inevitable client changes and revisions that much easier. With Ana on the project, I always felt like we could handle whatever the client threw our way. She has amazing technical skills and innate artistic talent, but those are not the only things that make her so good. It's her upbeat attitude, consistent hard work and obvious love for what she does that make her such a rock star. She is one of those gifted people that you can build a project (or an office) around. She is just amazing in every way,” said Jon O’Neil, who worked with Lossada on Be Inspired with The Lion Guard.
 
Throughout the project, all of Lossada’s skills were put to use, ranging from designing to illustrating and even animating. The result of such a combination of talents is why Lossada is such an in-demand motion graphics designer. She is never afraid of admitting when she doesn’t know something, and in this case, she learned an entirely new software in a short time in order to make the project the best it could be. Her work was essential to Be Inspired with The Lion Guard’s success. She created graphics at a rapid pace, while still being creative and working at a high-quality.
 
Be Inspired with The Lion Guard can still be seen throughout the day between various shows on Disney Jr. The project was such a success that the network created a second show with the same message, Be Your Best with Miles, featuring Miles from Miles from Tomorrowland, which Lossada also took charge of.
 
“Disney Jr. merged the gap between technology and fitness. They have the advantage of their TV programming to encourage kids to live a healthy lifestyle. Kids could be sitting watching TV and during commercial, their favorite characters pop up in screen doing fitness activities, asking for them to join as well,” concluded Lossada.
 
Watch Be Inspired with The Lion Guard here.



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